Francesco Ciusa
Francesco Ciusa - Daniela Spoto 2022, © CCIAA NU

Francesco Ciusa

Description

Francesco Ciusa (b. Nuoro, 2 July 1883–d. Cagliari, 26 February 1949) was an Italian sculptor and one of the leading figures of the Novecento art movement in Sardinia.

Son of a woodcarver, Ciusa’s artistic talent emerged at a young age. 
He studied sculpture at the Fine Arts Academy in Florence, where he specialised in marble. 

Francesco Ciusa in a photo from the late nineteenth century
Francesco Ciusa in a photo from the late nineteenth century - © Archivio Ilisso
Francesco Ciusa, la Madre dell'ucciso, plaster, 1906-07
Francesco Ciusa, la Madre dell'ucciso, plaster, 1906-07 - © Archivio Ilisso

After getting his diploma, he went back to Sardinia and lived in Sassari for a year, sharing the studio of his friend the painter Giuseppe Biasi. It was, however, when he returned to Nuoro that he made the work that drew the attention of his fellow Sardinians and the world at large, which remains his most famous sculpture today: The Mother of the Slain.

Francesco Ciusa, the artist next to Madre dell’ucciso, vintage photo
Francesco Ciusa, the artist next to Madre dell’ucciso, vintage photo - © Archivio Ilisso

This work was met with acclaim at the 1907 Venice Biennale.

He moved to Cagliari in 1909, where he championed the city’s cultural life and created some of his other most famous works, specifically those in the Cainites series. The figures in this series represent the figures, rituals and everyday gestures of rural Barbagia.

Francesco Ciusa, Il cainita, bronze
Francesco Ciusa, Il cainita, bronze - © Archivio Ilisso
Francesco Ciusa, Bomboniera, 1950s-1960s, patinated and cold-painted molded terracotta
Francesco Ciusa, Bomboniera, 1950s-1960s, patinated and cold-painted molded terracotta - © Archivio Ilisso

During the war, he developed an interest in the applied arts and pottery in particular.
In 1919, he founded SPICA (Società per l'Industria Ceramica Artistica, or the Society for the Artistic Pottery Industry) in Sassari, which produced small, cold-painted terracotta objects, like boxes, statuettes, bas-reliefs and trinkets, until 1924. The subjects and decorative motifs of these objects were inspired by popular tradition and influenced by the Art Déco style in fashion at the time.

Francesco Ciusa, Il coro dei mietitori, pencil on paper, 1925
Francesco Ciusa, Il coro dei mietitori, pencil on paper, 1925 - © Archivio Ilisso

In 1925, Ciusa became director of the School of Applied Arts in Oristano, the first school of its kind in Sardinia, the faculty of which included the painters Carmelo Floris and Giovanni Ciusa Romagna (Ciusa’s nephew).

Francesco Ciusa in a photo from the 1930s
Francesco Ciusa in a photo from the 1930s - © Archivio Ilisso